Films
Every frame, a function of time.
These films are code. Each frame is computed from the moment it appears, so the preview, the scrub bar and the export always agree, and a fix re-renders exactly the same film.
Direct a filmHow the studio makes a film
- Beat map first. Every scene starts on a bar line, and the drop lands on the key moment.
- Springs, not curves. Moves use closed-form damped springs, so motion has weight and still renders the same every time.
- Push into what matters. Product scenes show your real screenshot and move the camera into the one element the scene names.
- Music first, picture on the beat. The director briefs an original score for each film, composed with ElevenLabs on your own key, or you bring your own track. The studio measures the real tempo, beats and drop, then re-cuts the film so every scene starts on a bar and the key moment lands on the drop. Without a music key, a built-in score is synthesised on your device.
- Watch its own frames. The director scores rendered stills for hook, readability, motion, variety, composition and accuracy, then re-cuts what fails.
The reference films on this page use the built-in score, synthesised on your device. Film mode uses Claude with your own Anthropic key; see privacy for what is sent.
Reference cut
The first launch film.
Hand-built in HyperFrames before the studio existed. It set the bar the studio is measured against.
24 s · 1920 × 1080 · 60 fps. Names and headlines shown are fictional examples. Method inspired by Raphael Aubry's open motion-design pipeline. Reviewed October 4, 2026.